![]() The first major feature-length film Deakins worked on was Another Time, Another Place, which was released in 1983. Deakins has worked on a staggering 85 (and counting!) titles, including The Shawshank Redemption, The Big Lebowski and Skyfall.ĩ. After attending college, Deakins applied to the newly-opened National Film School but was denied admission as his photography was considered not “filmic” enough! He reapplied and graduated in the mid-1970s.ġ0. Deakins won an impressive 40 awards in total for his work on 1917.Ĩ. Deakins has received two Oscars, the first in 2017 for Blade Runner 2049, and the second for 1917 in 2019.ħ. We have estimated Roger Deakinss net worth, money, salary, income, and assets. Still from Blade Runner 2049 - Alcon Media Group, Columbia Pictures, Warner Bros PicturesĦ. So, how much is Roger Deakins worth at the age of 74 years old Roger Deakins’s income source is mostly from being a successful Cinematographer. He was encouraged by his mother who was an amateury actress and painter. The impressive structure was five stories high with 2,000 1K tungsten lamps at a total of 2 megawatts.ĥ. Deakins painted from a young age. Still from 1917 - Universal PicturesĤ. In 1917 the burning church scenes was lit by one of the largest lighting rigs ever made for a film. A selection of Deakins’ work is currently on show at Sottopasso di Piazza Re Enzo, Bologna, Italy, to 15 January 2023. R oger Deakins cinematography includes Fargo, Skyfall, Sicario, No Country for Old Men, and finally he won an Academy Award for Cinematography for Blade Runner 2049 and again in 20. Byways can be found on many bookshelves worldwide.ģ. Roger Deakins Cinematography Tips & Techniques: Complete Guide. Deakins has released a book of his black & white photographs and is published by Damiani. Alongside his success as a filmmaker, Deakins is a talented photographer, and is represented by the eminent Peter Fetterman Gallery in Santa Monica, California.Ģ. Smoking Break, Germania, 2007 © Roger Deakinsġ. After starting out his career in documentaries, Roger Deakins became one of the few elite cinematographers of his generation, thanks in large part to his routine collaborations with filmmakers.
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